Amanda McDonald Crowley
Curating is often a private activity with a very public outcome, but recent hype about the term in relation to “filtering” online content (from videos and photos to tweets and urls) have made “curating” something people now think of as a very public process. What can we learn from public art models of curatorial practice? How do we cater for passerby audiences? What are the lessons to be learned from open submission projects online and offline? The ideal conditions for creating a platform for participation will be dreamt up.
Watch the video online at Eyebeam: http://eyebeam.org/press/media/videos/eyebeam-summer-school-curatorial-masterclass-day-4
Guest: Steve Dietz (Curator).
Eyebeam respondent: TaeYoon Choi (Resident Artist Alum, Eyebeam)